The author is an art critic based in Lahore
In Punj-AB: A Sublime Terrain, Faiza Butt uses textiles and paintings to trace histories of migration
In his new exhibition, Tariq Gill transforms years of inner exile into a deeply personal visual language
In Hum Gunahgar Aurtain, the artist has created a place where male presence is not needed
The third edition of the Diriyah Contemporary Art Biennale 2026 reveals how artists reshape time
The third edition of the Diriyah Contemporary Art Biennale 2026 is a tangible translation of relational times, spaces and sounds
From Mughal workshops to AI tools, the question of authorship in art has never been simple
A major drawing show in Lahore revisits the medium as both method and meaning
The divide between idea and form has long shaped how art has been understood
Across centuries, artists have continued to return to the night as a space of imagination
Art has never captured time; it has always reshaped it
Failure has frequently proved the hidden engine of artistic innovation
The question is not only why violence fascinates art, but what position the artist takes when representing it
The art of writing by hand resists becoming a relic of the machine age
Muhammad Ali Afzal’s untitled canvases at Ocean Art Galleries reject art-world jargon and market expectations
At Urdu Worlds in Dubai, Zarina and Ali Kazim explore the widening divide between Urdu and English
Iqbal Hussain took lived experience and turned it into defiant art
Pakistan’s artists have re-worked shared histories into new visual languages
In The Enterprise, Aamir Habib turns memory into unsettling sculptural forms
Post-colonial amnesia, not talent, has frequently determined whose work endures in art history
