The awards ceremony covered titles in fashion, digital, music, film and drama, reflecting the expanding entertainment landscape
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ttending the Lux Style Awards has always felt like a marker on the social calendar. Not just another awards night, but the one; the kind you circle early, plan outfits around and mentally prepare for days in advance.
This year, the 24th Lux Style Awards only confirmed why the event continues to hold that status. Hosted at the historic Mohatta Palace, the ceremony turned Karachi into a glowing backdrop of candles and mirrors for an evening that showcased celebration without trying too hard.
Billed as A December to Remember, the night leaned into nostalgia while keeping its focus firmly on the now. Mohatta Palace, dramatic even on a regular day, became the perfect setting. Soft lights, heritage architecture and a crowd that represented (well, almost) Pakistan’s entertainment and creative industries; fashion insiders, actors, musicians, digital creators and industry who’s who all under one sky. It felt less like a formal awards show and more like a collective pause to acknowledge how far the industry has come and how far it still has to go.
The ceremony opened on a thoughtful note. Children from Zindagi Trust performed the national anthem, grounding the evening in a sense of unity and pride. Hosting duties were shared by Sheheryar Munawar Siddiqui and Sanam Saeed, who kept things (almost) smooth, with only a few glitches here and there. The script, penned by Sarmad Khoosat, had his distinct flavour. While his work has always been impressive I don’t think his scripts shine at an awards ceremony where people want to keep it light-hearted.
One of the most meaningful tributes of the night was dedicated to Sultana Siddiqui who received the LUX Change Makers Award. Her contribution to shaping television and storytelling in Pakistan spans decades. The recognition felt long overdue rather than ceremonial. It was one of the moments that reminded everyone in attendance why platforms like Lux Style Awards matter beyond glamour.
The performances carried the night with an easy rhythm. The sitar symphony by Waqas Hussain set a contemplative tone. It was followed by Hadiya Hashmi’s soulful vocals. DJ Shotbox and drummer Aahad Nayani brought energy into the mix. Kathak artist Tabitha Simrin delivered a graceful classical performance that stood out for its restraint. Later, the stage welcomed contemporary voices like Hasan Raheem, Nayel and Aashir Wajahat, Nehaal Naseem and Afusic, keeping the younger audience engaged.
Then came Abida Parveen’s performance; powerful, spiritual and stunning. The living legend was honoured with the UniLever Chairman’s Lifetime Achievement Award. The tribute felt as grand as it needed to be, without excess. It was the emotional peak of the night and a reminder that some voices don’t age, they deepen.
Awards followed across fashion, digital, music, film and drama, reflecting how wide the creative landscape has become. Erica Robin and Yasser Dar took top model honours; HSY was named Fashion Brand of the Year Pret.
In digital realm, creators like Hira Faisal and Ron and Coco highlighted how influence now lives beyond traditional screens. Music wins celebrated both emerging talent and mainstream hits, with Coke Studio’s Jhol taking Song of the Year.
Drama and film categories drew some of the loudest applause. Fahad Mustafa and Hania Aamir’s awards for Kabhi Main Kabhi Tum reflected its massive popularity. Zard Patton Ka Bunn and Khaie got critical recognition. In film category, Nayab and Kattar Karachi stood out, signaling a growing appetite for diverse storytelling.
By the end of the night, it was clear why attending the Lux Style Awards still feels important. It’s not just about trophies. It’s also about showing up, being seen and being part of the moment. Whether you’re watching from the venue or streaming at home, Lux Style Awards bring Pakistan together.
The writer is the head of content at a communications agency