This week, Mona J shares her expert tips with You! for nailing the clean-girl makeup and hair look…
beauty
Beauty has spent the last few years steadily editing itself. First came no-makeup makeup, then the glass-skin obsession and now the clean-girl aesthetic - a look that favours fresh, luminous skin, softly defined features, groomed brows and healthy, glossy hair that looks deliberately uncomplicated. Despite its social-media origins, the aesthetic has moved well beyond the algorithm, becoming part of the wider fashion and beauty conversation.
But ‘clean’ has little to do with how little makeup is actually being worn. It is an approach to beauty: enhancing rather than disguising, refining rather than redrawing. The goal is to look polished without losing the person underneath it.
For Mona J, that is precisely where the appeal lies. A celebrated Pakistani hair and beauty artist with nearly two decades of professional experience, Mona J has built her reputation through her salons, makeup artistry and work with thousands of clients, while continuing to expand her expertise through international beauty education and research. Now, with the launch of ‘The Art of Hair’, her new repair-focused haircare collection, she is bringing that same philosophy of considered beauty to both makeup and hair.
“Clean girl is essentially respecting your own features,” she explains. “You look like you.”
It is an interesting perspective from someone whose Manhattan-inspired glamour is built around smokey eyes, sculpted cheeks and prominent lips; polished, high-impact beauty that works as beautifully on a fashion week runway as it does off it. Mona J sees no contradiction between that aesthetic and the pared-back mood of clean beauty. She simply calls one ‘soft glam’ and the other ‘high glam’.
Soft glam keeps the complexion fresh and the cheeks and lips close to their natural tones; high glam takes the same palette and turns up the intensity with deeper colour and a more defined smokey eye. In both, the face remains recognisably yours.
The formula begins with good skin prep. Mona J recommends toner, followed by an essence suited to the skin’s needs, moisturiser and then a lightweight base. The aim is hydrated, luminous skin rather than a heavily covered complexion. Cream blush and bronzer keep the finish seamless, while highlighter is best used sparingly.
For the eyes, she suggests swapping a graphic liner for softly diffused eyeshadow, concentrating definition around the inner and outer corners. Browns, maroons and touches of black add depth without tipping the look into heavy glamour. A lip liner close to the natural lip shade, followed by a lighter lipstick and gloss, gives the mouth definition and fullness while keeping it fresh.
And then there is the other half of the look: Hair
Because the clean-girl aesthetic is difficult to sell when the hair looks overprocessed. This season, Mona J is seeing a definite return to texture that feels close to nature. Soft waves are a particular favourite, precisely because they mimic the movement of naturally wavy hair. Natural curls and spirals are equally welcome, while a sleek low bun with a centre part offers a more refined alternative.
The common thread is authenticity.
Styles that dramatically alter the hair’s natural texture are taking a back seat to hair that looks like itself, just healthier, shinier and better finished. It is an idea that feels perfectly aligned with the clean-girl mood: work with the texture rather than constantly fighting it.
But natural-looking hair only works when the hair itself is in good condition.
After nearly two decades of working closely with clients, Mona J has encountered the same concerns repeatedly: dryness, frizz, breakage, weakened strands and damage caused by colour and chemical treatments. Sun exposure and excessive heat are also major contributors.
Frequent use of flat irons, in particular, can be harsh on the hair. Mona J puts it rather simply: if the temperature of a styling tool is enough to burn your finger, repeatedly applying that heat to the hair will inevitably have consequences. Over time, the cuticle can become compromised, contributing to tangling, split ends, dullness and fading colour.
Her advice is straightforward: if heat styling is part of the routine, heat protection should be too.
The same logic applies to sun exposure. Skincare has long accepted the necessity of UV protection but hair is often left out of the conversation. Mona J has incorporated that concern into her line through its Hair Mist, designed to provide protection against heat and sun exposure while also helping with frizz, dryness, shine, volume and colour care.
The new collection grew out of Mona J’s years in the salon. Rather than beginning with a product concept and finding a problem to solve, she draws on years of listening to clients ask for practical answers to increasingly complicated hair concerns.
They wanted something for frizz. Something for dryness. Something for damaged hair. Something to make colour look better. Something that could fit into a busy routine without requiring a weekly appointment.
The result is a three-step system comprising a Shampoo, Hair Mask and Mist, built around what Mona J describes as a repair, reset and restore philosophy. The formulations incorporate olive oil, argan oil and a Molecular Bond Treatment, with each product designed to complement the next.
The shampoo is intended to cleanse the scalp and help bring it back into balance; the hair mask acts as a conditioning treatment, replenishing the hair and restoring softness; and the mist comes last, helping protect the strands while improving manageability, shine and smoothness and addressing concerns including frizz, dryness, heat exposure and colour care.
The idea is not simply to make damaged hair look better for a few hours. It is to establish a consistent care routine.
That distinction matters to Mona J, who is sceptical of some of the shortcuts women take when faced with damaged hair. Oiling, she argues, can create temporary surface shine without necessarily addressing the condition of the strand itself. Likewise, smoothing or keratin treatments applied over already damaged hair can disguise the problem temporarily rather than repair it.
Her preferred order is repair first, styling second.
The philosophy behind the range is neatly contained in its name. Repair addresses existing damage; reset brings the hair back towards its natural state; restore is about maintaining it.
After years of seeing clients overwhelmed by an increasingly fragmented beauty market, Mona J wanted to simplify the process: rather than choosing one product for split ends, another for colour damage, another for frizz and yet another for heat protection, she wanted a system that could address multiple concerns as part of one routine.
It is a philosophy that runs through her makeup artistry too.
Whether the final result is soft glam or full Manhattan high glam, the objective is not to manufacture a different woman. It is to understand the face, the hair and the individual features first and then decide what deserves emphasis.
That is ultimately what separates a beautiful look from a truly polished one. Not necessarily the amount of makeup, the price of the products or how elaborate the styling happens to be but whether the person appears to have taken care of herself.
“Beauty is not about simply looking expensive,” she elucidates. “It is about looking cared for.”
And that care, she believes, becomes increasingly visible with time. The skincare and haircare habits established earlier in life can eventually show in the condition of the skin and strands, making maintenance less about chasing perfection and more about preserving what you have.
“Make your skin and hair speak best for you,” she concludes.